- VIENNA SYMPHONIC LIBRARY PERFORMANCE HOW TO
- VIENNA SYMPHONIC LIBRARY PERFORMANCE SOFTWARE
- VIENNA SYMPHONIC LIBRARY PERFORMANCE PROFESSIONAL
- VIENNA SYMPHONIC LIBRARY PERFORMANCE TV
Personal preference.Ģ.) LoopBe30 for sending MIDI out of REAPER, to the VSL Perf. I prefer to keep as much of the audio and MIDI inside of the sequencer/VST host as possible, so I use the sampler INSIDE of REAPER. Signalling is different if you're sending MIDI to a stand-alone instance of your sampler of choice. They're al multi-timbral (can send out multiple, simultaneous audio streams) You can use Kontakt/HALion/LinuxSampler, etc too. Here is my VSL orchestral template workflow:ġ.) Giga Virtual Instrument VSTi inside of REAPER. I do not concern myself with any of this now. Very time-consuming but the results mean everything is routed correctly. It took 2 weeks to route it all, but I'm so glad now that it's done. I actually just finished my template last night. I've got just over 500 REAPER tracks of MIDI for my VSL orchestral template. Tool OUTPORT (sends *filtered* MIDI back TO REAPER using 1 Port/ 1 Channel via LoopBe30)ħ.) REAPER Track holding VSTi sampler (GVI/Kontakt/LinuxSampler, etc.) (receives *filtered* MIDI data from Perf. Tool INPORT (receives MIDI from REAPER using 1 Port/1 Channel via LoopBe30)ĥ.) Perf. Tool.ġ.) Hardware Input (if applicable - keyboard, e-drums, etc.)ģ.) REAPER Track Routing Window (send MIDI out using 1 Port/1 Channel via LoopBe30)Ĥ.) Perf. This is the basic idea when using the Perf. I know it sounds complicated at first, but let me break it all down for you. ROUTING & USING THE VSL PERFORMANCE TOOL WALK-THROUGH: However, these can be adjusted in Kontakt later & re-saved. Some do & some don't.Ģ.) Release control patches (+RC) do not have the same release envelope characteristics of Giga's release envelopes. I recommend using Extreme Sample Converter, with a few exceptions.ġ.) It doesn't convert the keyswitched "standard_all" patches correctly for all libraries.
VIENNA SYMPHONIC LIBRARY PERFORMANCE SOFTWARE
Has anyone else encountered this problem? Is this a known issue when converting keyswitched Giga patches to Kontakt? What conversion software will convert these particular patches properly to Kontakt format (again, Giga v2.5 to Kontakt)? But it seems to always be the top (forte) layer missing. It happens for different playing techniques for different instruments. This issue occurs across all "_standard_all_p-f" patches, but not necessarily tremolo only. If I trigger the velocity range where these forte samples should reside, I hear absolutely nothing. These are special patches that use keyswitches to switch from sustains, staccatos, tremolos, etc.įor example, "VI-14_standard_all_p-f" does not play the top (forte) velocity layer for the tremolo keyswitch. I tried again today with Kontakt v4 and it gives the same results.Įverything converted and works fine except the keyswitched "_standard_all_p-f" patches. I converted all my Giga libraries to Kontakt format a few years ago using the built-in import for Kontakt. This is a problem that I've had for quite some time.
VIENNA SYMPHONIC LIBRARY PERFORMANCE PROFESSIONAL
Whether you're a beginner or a professional user, the Performance Tutorials DVD delivers the expert knowledge you need to maximize your investment in the Vienna Symphonic Library.Vienna Symphonic Library Horizon Series conversion problem Listen to the Performance Tutorials DVD's examples and grab first-hand tips from one of the creators of the library.
VIENNA SYMPHONIC LIBRARY PERFORMANCE HOW TO
With video demonstrations including plenty of screen shots, this DVD will show how to create slow and fast legatos, realistic portamentos and glissandos, quick spiccato passages, authentic repeated notes without the notorious "machine-gun effect" and much more. On the VSL Performance Tutorials DVD, VSL Chief Editing Engineer Paul Steinbauer explains the Performance Tool in detail. This is where the soul of the Vienna Symphonic Library reveals itself, inspiring you to create the music you demand from a real orchestra. One of the elements that makes the VSL Performance Set sound so realistic is their exclusive Performance Tool, which faithfully recreates legatos, portamentos, slides, glissandos, spiccatos, repetitions and many more playing styles.
VIENNA SYMPHONIC LIBRARY PERFORMANCE TV
You can hear VSL in films, on TV and on albums every day. The incredible Vienna Symphonic Library has raised the standard for orchestral sample collections. Master Your VSL Collection with This Expert Tutorial
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